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Discography

Albums | Compilations | Singles

2007 Timbaland Presents Shock Value [UK]
2007 Timbaland Presents Shock Value [Japan Bonus Track]
2007 Timbaland Presents Shock Value [Deluxe Edition]
2007 Timbaland Presents Shock Value [Clean]
2007 Timbaland Presents Shock Value [Circuit City Exclusive]
2007 Timbaland Presents Shock Value [CD/DVD]
2007 Timbaland Presents Shock Value [Bonus Tracks]
2007 Timbaland Presents Shock Value
2004 Present [Bonus DVD]
2003 Under Construction, Pt. II [Clean]
2003 Under Construction, Pt. II
2001 Indecent Proposal [Clean]
2001 Indecent Proposal
1998 Tim's Bio
1997 Welcome to Our World [Clean]
1997 Welcome to Our World

Biography

Timbaland
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Timbaland


Timbaland performing with Justin Timberlake on the FutureSex/LoveShow tour (summer 2007)
Background information
Birth name Timothy Z. Mosley
Born March 10, 1971 (1971-03-10) (age 36)
Origin Norfolk, Virginia, U.S.
Genre(s) Hip Hop
R&B
Pop
Pop rap
Dance-pop
Occupation(s) Rapper, songwriter, record producer
Instrument(s) Rapping, vocals, sampler, keyboards, beatboxing, vocoder, bass guitar
Years active 1993–present
Label(s) Blackground, Mosley Music Group, Interscope
Associated
acts Nate "Danja" Hills, Justin Timberlake, Nelly Furtado, Missy Elliott, Aaliyah, Magoo, Sebastian, The Royal Court, The Clutch, Brandy, Jim Beanz, Keri Hilson, OneRepublic, 50 Cent, The Hives
Website TimbalandMusic.com
Timothy Z. Mosley (born March 10, 1971) better known by his stage name Timbaland, is an American musical composer, record producer, singer and rapper. With partner Magoo, he is a member of hip-hop duo Timbaland & Magoo.

Timbaland has been considered similar to producers such as Brian Eno, Phil Spector or Norman Whitfield in that he helped to redefine the sound of an entire genre of music[1] with an immediately recognizable production style.[2] The songs he produces feature unusual arrangements, sounds, and instrumentation, tied together by a trademark sense of space and rhythm. Like Spector and Whitfield, Timbaland’s production sometimes overshadows the credited performer and becomes the actual "star" of the song. With songwriters Steve "Static" Garrett and childhood friend Missy Elliott, Timbaland has helped to create some of the most successful songs in modern pop music and urban music, including singles for Missy Elliott, Aaliyah, Björk, Brandy, Jay-Z, Justin Timberlake, Lil' Kim, Utada Hikaru, Ludacris, 50 Cent, The Game, Nelly Furtado, Ginuwine, OneRepublic, Dima Bilan and The Pussycat Dolls.

Contents
1 Biography
1.1 Early years: 1993–1995
1.2 After Swing Mob: 1995–1996
1.3 The "Timbaland sound": 1996–2000
1.4 2000–2002
1.5 2002–2005
1.6 2005–present
1.7 Personal life
2 Timbaland's "new" sound
2.1 Plagiarism controversy
2.2 Rivalry with Scott Storch
3 Awards and nominations
4 Discography




Biography

Early years: 1993–1995
Mosley was born and grew up in Norfolk, Virginia, where he became acquainted with Missy Elliott and Melvin Barcliff, whose MC name was "Magoo". Originally a disc jockey known as "DJ Timmy Tim", Mosley began making hip-hop backing tracks on a Casio keyboard he owned. Elliott heard his material and, taken by Mosley’s unique sense of rhythm, immediately began working with him. After several collaborations, the trio moved to Suffern, NY.

Elliott and her girl group Sista auditioned for DeVante Swing, producer and member of successful R&B act Jodeci. Devante signed Sista to his Swing Mob label, and Elliott brought Mosley and Barcliff along with her. Mosley began working under Devante, who renamed the young producer Timbaland, after the Timberland boot popular in hip-hop fashion.

Sista and Timbaland & Magoo became part of Devante’s stable of Swing Mob signees known as "Da Bassment" crew, joining artists and groups such as male singer Ginuwine, male vocal group Playa, and girl group Sugah. Timbaland did production work on a number of projects with Devante, including the 1995 Jodeci LP The Show, The After-Party, The Hotel, and Sista’s debut LP, which was shelved and never saw release.

Timbaland was also friends with Pharrell Williams, and had dabbled in projects with him as S.B.I., or Surrounded By Idiots. Williams recalls in an interview: "In seventh grade I met Chad [Hugo, the other half of The Neptunes]. That’s twenty years ago by now. Like I said earlier, we started producing beats together. But then again, I also played with this famous group which consisted of Timbaland, Magoo, myself and some other guy. Chad wasn’t a part of the group, so I was in "The Neptunes" and "Surrounded By Idiots" at the same time."


After Swing Mob: 1995–1996
Please help improve this article or section by expanding it.
Further information might be found on the talk page or at requests for expansion. (April 2007)

In 1995, most of Devante’s acts broke their ties with the producer and went their own ways. Elliott, Timbaland, Magoo, Playa, and Ginuwine continued to collaborate, and began working on individual projects. Elliott began receiving recognition as a songwriter and guest artist for artists such as 702 and MC Lyte, and Timbaland was sometimes assigned to produce remixes of Elliott-penned songs. One of these, the remix to 702’s "Steelo" in 1996, became Timbaland’s first important production credit.


The "Timbaland sound": 1996–2000
Also in 1996, Ginuwine released his debut album, Ginuwine...the Bachelor, which was produced entirely by Timbaland. The album was both a commercial and critical success, and its first single, "Pony", was the first example of what would later become the signature Timbaland sound.

The track for Pony, which Timbaland had created two years prior during the Swing Mob days, was characterized by a shifting, syncopated rhythm, similar to samba or jungle music, which used snare and kick hits on typically non-accented beats in the measure. Stuttering high-hats typical of southern bass music accompanied the basic drum sounds, which were, unusual for hip-hop and R&B of this period, severely gated to create short, strong sounds. This use of the "short snare" is in marked contrast to the "long snare" sound in New Wave music in the 1980s, which featured a heavily amplified, almost white noise snare drum put through reverberation. Accompanying the unusual rhythm were melody lines created by playing odd sound effects (vocal effects and cartoon slide whistles) through a sampling keyboard. The other tracks on Ginuwine...the Bachelor also featured similar production and arrangements. On many of the tracks, Timbaland can be heard either rapping or providing ad-libs, similar to what both Elliott and Puff Daddy were doing at the time; Timbaland’s deep voice was usually vocoded to give it an electronic sound.

While work was being completed on Ginuwine...the Bachelor, R&B artist Aaliyah contacted Timbaland and Missy Elliott to write and produce most of her second album, One In A Million. The tracks that were crafted for Aaliyah featured innovative arrangements similar to those on Ginuwine...the Bachelor. One In A Million went on to sell over 11 million copies worldwide, and made superstars out of not only Aaliyah, but Elliott and Timbaland as well.

Elliott and Timbaland became one of the most successful and prolific songwriting/production teams of the late-1990s. By the end of the decade, Timbaland’s sound had been heard in records from artists such as SWV, Destiny’s Child, Nicole Wray, Total, Jay-Z, and Nas. Most of his production work during this period was reserved for his original stable of collaborators: two Missy Elliott albums (Supa Dupa Fly and Da Real World), a second effort by Ginuwine (100% Ginuwine), and Playa’s debut album (Cheers 2 U). Timbaland produced much (if not all) of the material on many of their albums during this period, and also made two albums of his own: one with Magoo, and one solo album. Timbaland’s own raps, which were usually ghostwritten by Elliott, Magoo, or his younger brother Garland Mosley (AKA Sebastian), were almost always accompanied by other MCs, including his main collaborators and numerous guest artists.

Timbaland spawned a plethora of imitators, some of whom went as far as to sample sections of his work to create similar-sounding tracks. The popularity of the "Timbaland sound" marked a shift in hip-hop music from rougher, sample-based tracks to simpler, more synthetic musical accompaniment. Since Timbaland worked in both hip-hop and R&B and often combined elements of one in tracks for the other, his work aided the blending together of the two genres, which became less and less distinct during the first half of the 2000s.

Foreign, especially Asian, instrumentation is present through much of his early work (Xscape’s "My Secret" remix, especially, with a rollicking sitar outro and Timbaland ad-libbing "Let’s take a little trip...to India"), but was most successful and prevalent with Jay-Z’s "Big Pimpin'" (1999), which borrowed directly from the song "Khosara" by Egyptian composer Abdel Halim Hafez. Missy Elliott’s 2001 hit single, "Get Ur Freak On" from her third album, Miss E...So Addictive, was also likewise a smash, using a speedy Tabla drumline typical of Hindustani classical music. In his second album, on the track "Party People", Tim sampled a track from Zimbabwe’s Oliver Mtukudzi, skillfully imitating the illustrious strumming of Mtukudzi’s guitar. His borrowing from these cultures has resulted in mixed reactions, with many critics embracing his musical adventurousness and eclecticism and more esoteric, purist factions reacting cautiously, and sometimes negatively. In an interview with Missy Elliott in RayGun Magazine, he mentioned a diverse base of influences, from UK Drum and Bass to Garage.


2000–2002
Timbaland-produced songs such as Ludacris' "Roll Out (My Business)", Jay-Z’s "Hola' Hovito", Petey Pablo’s "Raise Up", and Beck’s cover of David Bowie's "Diamond Dogs" that were recorded and released during this period, and he contributed to Limp Bizkit’s 2001 remix album, New Old Songs. He also contributed three songs--all eventually released as singles--to Aaliyah’s self-titled third album, "We Need a Resolution" featuring himself, "More Than a Woman", and the ballad "I Care 4 U".

Timbaland & Magoo’s second album together, Indecent Proposal, had been scheduled for release in November 2000, and was to feature appearances by Beck, Aaliyah, and new Timbaland protégés -- some of whom were signed to his new Beat Club Records imprint--Ms. Jade, Kiley Dean, Sebastian, Petey Pablo, and Tweet (who was a member of Sugah during the Swing Mob days). The album was delayed for an entire year, finally being released the following November. It was a commercial disappointment. Beck’s vocals for the track "I Am Music" were not included on the final released version, which instead featured Timbaland singing alongside Static (Steven Garrett) of Playa and Aaliyah, who had been killed in a plane crash three months before the release of the album. The loss of Aaliyah deeply affected Timbaland, whose work was less omnipresent after 2001.


2002–2005
The first release on Beat Club was the debut album by Bubba Sparxxx in September 2001, Dark Days, Bright Nights. Timbaland contributed three tracks to Tweet’s debut album, Southern Hummingbird, and produced most of Missy Elliott’s fourth and fifth LPs, Under Construction and This Is Not A Test! He also produced hit singles and album tracks for artists such as Lil’ Kim ("The Jump Off") and Pastor Troy during this period. Collaborating with Scott Storch, Timbaland also produced a number of tracks on former *NSYNC lead singer Justin Timberlake’s solo debut, Justified, including the hit single "Cry Me a River". This would eventually lead to a fallout between the two producers, as Storch would claim that he was not given proper production credit for "Cry Me a River". While Storch is credited as a co-writer and pianist on the song, production is credited solely to Timbaland.

Late in 2003, Timbaland delivered the second Bubba Sparxxx album, Deliverance, and the third Timbaland & Magoo album, Under Construction, Part II. Both albums were released to little fanfare or acclaim even though Deliverance was praised by reviews and embraced by the internet community.

Timbaland continued to produce hit singles and albums for artists; in 2004 Timbaland-produced singles by LL Cool J, Xzibit, Fatman Scoop and Jay-Z became staples on urban radio, and he produced the bulk of Brandy’s fourth album, Afrodisiac. The Timbaland-produced song "I'm So Fly" on Lloyd Banks’s 2004 debut album The Hunger for More is significant in that it was the first official Timbaland production bearing a co-production credit from Danja, who would go on to become a requisite collaborator with Timbaland in the future. Timbaland also lent a hand to three tracks off bilingual Japanese Pop star Utada Hikaru’s debut English album, Exodus. New songs from artists such as Tweet and The Game were released in 2005.


2005–present
This article may require cleanup to meet Wikipedia's quality standards.
Please improve this article if you can. (October 2007)

In 2005, Timbaland produced a song on Tweet and The Game’s albums ("Steer" and "Put You on the Game" respectively). He also produced two songs on Missy Elliott’s sixth album, The Cookbook: "Joy (feat. Mike Jones)" & "Partytime", as well as "He'll Be Back" on Jennifer Lopez’s fifth studio album, Rebirth.

Timbaland started a new label, Mosley Music Group, once again under Interscope out of the former Beat Club Records label he had previously managed. On the label are singers Nelly Furtado and Keri Hilson, and rapper D.O.E. Timbaland’s parternship and mentorship of upcoming producer Nate "Danjahandz" Hills is evident in Timbaland’s rejuvenation in music. Furtado’s third album, Loose, was released under MMG in June 2006, debuting at number one in U.S. Timbaland has also worked with Whitney Houston, JC Chasez, Missy Elliott, Diddy, Young Jeezy, Chingy, The Game, Chilli of TLC, Tweet, Björk, 50 Cent, Rich Boy, UGK, Stat Quo, Snoop Dogg, rapper Eve and more.

During 2006, Timbaland had seven singles receiving massive airplay worldwide: "Promiscuous", "Maneater", "All Good Things (Come to an End)" and "Say It Right" by Nelly Furtado, and Justin Timberlake’s "SexyBack", "My Love" and "What Goes Around.../...Comes Around Interlude", (Timbaland produced Timberlake’s U.S. number-one album FutureSex/LoveSounds along with protege Danja and Timberlake himself,) and also appears in most of the videos for these songs. He provides vocals on the singles "Wait a Minute" by The Pussycat Dolls, "Say It Right" by Nelly Furtado and "Ice Box" by Omarion, all of which climbed the charts in the U.S., and he appears in the videos for these three songs as well. Timbaland is rumored to have future singles put out by Tweet, Chingy, and the first single off Redman’s long anticipated album Red Gone Wild. In an interview published in August 2006 in the UK,[3] Timbaland revealed he was working on a new LP by Jay-Z and that he had been working on tracks with Coldplay’s Chris Martin. Timbaland has also recently worked with UK record producer "SK". Both parties have delayed plans for further collaborations due to school commitments from the latter. In January 2007, SK was mentioned in a radio interview by Timbaland who remarked he was a rising star.

On April 3, 2007, Timbaland released a collaboration album featuring artists such as Dr. Dre, Elton John, Fall Out Boy, Nelly Furtado, Missy Elliott, and others called Timbaland Presents Shock Value. The first single, "Give It to Me" featuring Nelly Furtado and Justin Timberlake, topped Billboard’s Hot 100 chart. The album’s second single, titled "The Way I Are", features Mosley labelmates Keri Hilson and D.O.E. and features a beat resembling the recent Justin Timberlake single "Sexyback".

In an interview published in August, he declared that he had worked on seven songs for Björk’s new album (three of which, "Earth Intruders", "Hope" and "Innocence" will appear on the album), and in another he was later reportedly working on tracks for the next Duran Duran album, due in 2007, including one song featuring Justin Timberlake. Also in 2007, Timbaland will be producing songs for Bone Thugs upcoming new LP, Strength & Loyalty and 50 Cent’s new album and Curtis. Surprisingly, Timbaland has invited help from outside of the US industry and called upon Quang Chou from the label chou*star to co-produce many tracks and work along side him. chou*star is a label currently based in the UK soon to venture with Timbaland.

Timbaland and Madonna are working together on her new album due in early 2008. He is also working with Rockstar Games to produce Beaterator, a music mixing game for the PlayStation Portable to be released in the Summer of 2007.

In April 2007, he appeared on WWE programming in segments with several WWE Divas. In late April, he filmed a music video for the song "Throw It On Me", starring Ashley Massaro, Kelly Kelly, Brooke, Torrie Wilson, Layla El, and Maryse. [4]

Most recently, Timbaland produced "Come Around" by British experimental electronica and rap artist M.I.A., which features Timbaland. It appears on her second album Kala and was also included as an international bonus track on Timbaland Presents Shock Value.

Timbaland made a guest appearance at Justin Timberlake’s concert at The O2 in London from July 4th - July 10th 2007.

On July 7, 2007 Timbaland performed at Live Earth.

During the week of October 8, 2007, Timbaland performed "The Way I Are" on One Life to Live, an American afternoon "soap opera".

He has produced more than six tracks for Ashlee Simpson's third album which will be released in December 2007. He has also worked on Mary J. Blige's upcoming album titled Growing Pains,[5] as well as Missy Elliott (new album due spring 2008), and Jennifer Hudson. According to an interview with Scratch magazine in the Nov/Dec issue, Timbaland has been signed to produce the majority of Beyonce's new album and also work with Usher and Stevie Wonder. Timbaland also has interest in working on former Destiny's Child member Letoya Luckett's second album.


Personal life
In November 2007, it was confirmed that Timbaland has become a father for the first time. Timbaland issued a statement that he would take responsibility and have an active role in his child's life. He and the mother, publicist Monique Idlett (who works at Timbaland's Mosely record company), have been dating for two years and will marry in 2008. Timbaland proposed to 33-year-old Idlett at their baby shower in October. [6]


Timbaland's "new" sound
Please help improve this article or section by expanding it.
Further information might be found on the talk page or at requests for expansion. (October 2007)

In 2006, Timbaland began to work frequently with his protege Nate "Danjahandz" Hills, which began his new rejuvenation in music. With Danja by his side co-producing several tracks for many artists, "The Timbaland Sound" started to come to a sudden change. Songs like "Promiscuous" by Nelly Furtado, and "SexyBack" by Justin Timberlake featured more synth lines along with more percussion added to the flavor of this new sound. Even Furtado's Loose had a little rock flavor to it with tracks like "Afraid", featuring an Electric guitar riff, and with Justin Timberlake's interlude to LoveStoned, "I Think that She Knows", with an electric guitar riff. Timbaland and Danja together and apart would be responsible for some of the biggest hits in 2006 and 2007.


Plagiarism controversy
Main article: 2007 Timbaland plagiarism controversy
In early 2007, there was controversy surrounding Timbaland because of allegations of plagiarism that surfaced concerning his work on the Nelly Furtado track "Do It". He is alleged to have plagiarized several elements (both motifs and samples) in the song without giving credit or compensation. [7][8]

The claimed original track, entitled "Acidjazzed Evening", is a chiptune-style 4-channel Amiga module composed by Finnish demoscener Janne Suni (a.k.a. Tempest). The song won first place in the Oldskool Music competition at Assembly 2000, a demoparty held in Helsinki, Finland in the year 2000. According to Scene.org, the song was uploaded to their servers the same year, long before the release of the song by Furtado. The song was later remixed (with Suni’s permission) by Norwegian Glenn Rune Gallefoss (a.k.a. GRG) for the Commodore 64 in SID format - this is the version which was later allegedly sampled for "Do It". It was added to the High Voltage SID Collection on December 21, 2002.

A video which claims to show proof of the theft was posted to YouTube on January 12, 2007. Another video was posted to YouTube on January 14, 2007, claiming Timbaland also stole the tune a year earlier for the ringtone Block Party, one of several that were sold in the United States in 2005. A YouTube video comparing all the related songs was posted in February 13.

On April 1, the track for "Do It" (without vocals) was used as theme music for the 2007 Juno Awards broadcast, which Furtado hosted. The track was played during the show’s opening and before commercial breaks. The controversial samples could be clearly heard throughout.

Timbaland, while admitting the sampling, has called the issue "ridiculous" but also says he is "in legal discussions" and is therefore unable to comment.


Rivalry with Scott Storch
In 2007 a rivalry flared up between Timbaland and record producer Scott Storch. The tension initially started on the single "Give It to Me", when Timbaland anonymously called out Storch, rapping, "I'm a real producer and you just the piano man". He went on to rap that "I get a half a mill fo' my beats, you get a couple grand". Timbaland confirmed that he was talking about Storch in an interview with MTV personality Sway Calloway. He said that he would go after the trash talkers on his new album Timbaland Presents Shock Value.[9].

Storch responded with the track "Built Like That" on February 26, 2007, which features Philadelphia rapper NOX. On the track, Storch claims to have been solely responsible for the production of the 2002 Justin Timberlake hit "Cry Me a River", for which he received a basket of fruit. He also claims that Timbaland’s production partner Danja has been responsible for his recent string of hits with Nelly Furtado and Justin Timberlake, and mocks the commercial failure of Timbaland’s former Beat Club label.[10]

Timbaland responded with the song Piano Man by Mosley Music Group artist D.O.E. The story behind the title is that Scott Storch uses a piano to make his beats.

They recently ended their feud. This was confirmed by Timbaland in the final issue of Scratch Magazine.[11]


Awards and nominations
American Music Awards
2007, Favorite Male Pop/Rock Artist (Nominated)
BET Hip-Hop Awards
2007, Best Producer (Winner)
Grammy Awards
2007, Album of the Year FutureSex/LoveSounds (Producer) (Nominated)
2007, Best Pop Collaboration w/ Vocals "Promiscuous" (Nominated)
2007, Best Dance Recording "Sexyback" (Winner)
2004, Best R&B Album "Afrodisiac" (Producer) (Nominated)
2004, Album of the Year Justified (Producer) (Nominated)
2004, Album of the Year Under Construction (Producer) (Nominated)
2004, Best Rap Song "Work It" (Nominated)
2000, Best R&B Song "Get Ur Freak On" (Nominated)
Belgium TMF Award
2007, Best International Urban (Winner)
MTV Video Music Awards
2007, Most Earthshattering Collaboration "Sexyback" (Nominated)
2007, Monster Single of the Year "The Way I Are" (Nominated)
2007, Best Pop Video "Promiscuous" (Nominated)
2007, Best Dance Video "Promiscuous" (Nominated)
Teen Choice Awards
2007, Choice Male Artist (Nominated)
2007, Choice Rap Artist (Winner)
2007, Choice Music Single "Give It to Me" (Nominated)
2007, Choice Rap Track "The Way I Are" (Winner)
2006, Choice R&B/Hip-Hop Track "Promiscuous" (Winner)
2006, Choice Summer Track "Promiscuous" (Winner)
2003, Choice Music Collaboration "Cry Me a River" (Nominated)
Vibe Music Awards
2007, Best Producer (Winner)

Discography
Main articles: Timbaland discography and Timbaland's production discography
Tim's Bio: Life from da Bassment (1998)
Timbaland Presents Shock Value (2007)
Shock Value II (2008)

Timbaland Biography:
Timbaland ascended to the top of the rap industry in the late '90s, remarkably balancing his in-demand hitmaking abilities with his outlandish production style. Few rap producers were capable of such a balance between commerce and craft. Timbaland produced an endless list of hits, primarily for a select group of affiliates (Missy Elliott, Aaliyah, Jay-Z, Ginuwine) though also for a number of other A-list artists (Ludacris, Snoop Dogg, Nas, Justin Timberlake). Yet even so, he always infused a remarkable sense of individuality and creativity into his productions. When you hear a Timbaland production there is no mistaking it for anyone else's work: stuttering bass-heavy bounce beats offset resounding high-end synth stabs, all of this often complemented by his own signature-like quiet murmuring beneath the track; and no sampling.

In the late '90s, when Timbaland was still relatively new on the scene, the Virginia native worked extensively with Missy ("The Rain"), Aaliyah ("If Your Girl Only Knew"), and Ginuwine ("Pony"). Later, once he'd established himself with these three, he began working with the top rappers in the industry, namely Jay-Z ("Big Pimpin'"), Nas ("You Won't See Me Tonight"), Snoop Dogg ("Snoop Dogg [What's My Name, Pt. 2), and Ludacris (&"Rollout [My Business). He also worked occasionally with lesser-known regional artists such as Petey Pablo ("Raise Up"), Pastor Troy ("Are We Cuttin'"), and Tweet ("Oops (Oh My)"). As a result of his exceptional success as a producer, Timbaland eventually established his own record label, Beat Club, and began unveiling his own stable of artists (Bubba Sparxxx, Ms. Jade). His records, most co-billed with rapping friend Magoo, spotlighted his access to the top rappers in the business: Missy Elliott, Jay-Z, Ludacris, Wyclef Jean. From 1997 through 2003, he released three Timbaland & Magoo albums, while 1998's Tim's Bio and 2007's Timbaland Presents Shock Value -- the latter featuring a restless mixture of vocalists, rappers, and rock bands -- were solo albums in name. Jason Birchmeier, All Music Guide

Drop Lyrics

Timbaland Drop Lyrics

*** Complimentary Drop Ringtone *** Timbaland Timbaland Fatman scoop
Crooked Clan
Timbaland Timbaland
Whatever I say y'all gotta do
Whatever I say y'all gotta do
Whatever I say y'all gotta do
ya'll too ya'll too y'all too ya'll too

(Timbaland)
Awww lord guess whos comming
Timbaland A.K.A freaky feel drumming
Who can get it crunk like me Timbaland
Oh my nigga Scoop A.K.A fat man
Weed guaranteed to make the party people bounce
Fellas say (OH) girls say(ah)
Lookin at the cornrows up in the club
Girl don't be bashful girl back it up
Throw it girl like its poking man
Shake that ass as fast as you can
White girl shake it like ya burnin from a sun tan
My dog grip it grab it like it was a soda can
What you talking bout holding back
When you get on the dance floor drop it like it was a cadillac
What you talking bout cutting nigga slack
girl girl you betta bend that back
where my girls roll deep in the club
Cant't wait to hit the bar and get f'ed up
Where my dogs that got more than a hundred bucks
Cant wait to freak one of the big old butts
Before we start to turn it out
you must learn to crunk out
Before we start to turn it out
You must first begin to

(Fatman Scoop)2x
Breathe in Breathe out
Breathe in Breathe out
Breathe in Breathe out
Now drop now drop now drop now drop

(Fatman Scoop)
If you got the fattest ass on the block now drop
Let a nigga see the coochie pop now drop
Do the snake do the freak do the work now drop
Yo dont stop dont stop
Real eyes down south thighs now drop
Waist line five six seven now drop
One time all in together now drop
Yo dont stop dont stop

(Magoo)
Get your freak on at club(?)
We aint put the album out niggas got their leak on
I done went up in the club seen a ho with a thong
I aint hear good at first she was singing the song
Shorty rocking donna she was pushing and popping
Red bone with a bop she was stopping and dropping
Stopping and dropping this the part of the song where
You need be snaking and wopping


Snaking and whopping yeah hoe Mag made the song
Yall niggas still popping and locking
Aint no zone (?) a white girl
I aint turbo rocking a damn curl
Watch Mag slow while I break you down slow
When you get it right girl go for what you know
Wiggle a bit stop drop get up snake freak whop
Wiggle a bit stop drop get up snake freak whop
Get off the wall hands of your balls
Yeah nigga with the drink in ya hand trying to ball
You dont want shorty I can show you the dance
Gone once gone twice you done lost your chance
Now stop for Big Pun stop for Big pun
Drop for Big L drop for Big L

(Fatman Scoop)
If you got the fattest ass on the block now drop
Let a nigga see the coochie pop now drop
Do the snake do the freak do the work now drop
Yo dont stop dont stop
Real eyes down south thighs
Waist line five six seven now drop
One time all in together now drop
Yo dont stop dont stop

(Magoo)
Guess who came with a cape on his back
Pulled up with some gin hopped out the Cadillac
Mag is chilling Tim is chilling
When I get up in this club I'm making a hoe feel it
Got no game but I got big cash
Mess around I be leaving this club with Stacey Dash
I aint cute enough but my jimmy got a flick and it shimmy
I'm in the club pulling hoes with Timmy

(Timbaland)
All my shadow people where freaky where you at
All my Broadway people freaky where you at
Where my fellas in the back with the conyak
Where my girls who think they got it like that
All my ndependent freaky where you at
All my get money dogs freaky where you at
Where my girls with the thongs who be shaking it fast
If you love to sing along nigga holla back

(Fatman Scoop)
If you got the fattest ass on the block now drop
Let a nigga see the coochie pop now drop
Do the snake do the freak do the whop now drop
Yo dont stop dont stop
Real eyes down south thighs Now drop
Waist line five six seven now drop
One time all in together now drop
Yo dont stop dont stop
Show me what you working with(back it up back it up)
Show me what you working with(back it up back it up)
Show me what you working with(back it up back it up)
Show me what you working with(back it up back it up)
Bend over Bend over Bend over Bend over Bend over Bend over

Don't Make Me Take It There Lyrics

Timbaland Don't Make Me Take It There Lyrics

*** Complimentary Don't Make Me Take It There Ringtone ***
[Timbaland]
Yau [echo 2x Yau]
They still won't give me my props
Now I'm pissed off
Y'all will see the other side of me
Come on
Like this

I'm thinking 'bout what the music game might be
If a nigga didn't make his entry
Niggaz would be making them same ol' beats
Waiting on my arrivlary
Y'all niggaz gonna learn to appreciate me
Instead of always comparin' me
If I hear one more remark about me
I guess I gotta ride on my enemies

Oho oho oho oho
Oho oho oho oho - Don't make me take it there
Oho oho oho oho
Oho oho oho oho - Don't make me take it there
Oho oho oho oho
Oho oho oho oho - Don't make me take it there
Oho oho oho oho - What I will nigga

What the f**k would the music be, if it wasn't for Timothy
When the game is feverish, then I create the remedies
And crumble leads until I'm buzz and I'm laxed
And them hoes show me love in every club that I'm at
For every hood got' get back, what another nigga envy
But I swear I ain't no killer, but y'all niggaz 'bout to tempt me
To the point there the barrels empty until you gon' recent me
When Morpheus missing the desert of the real he meant me
Like a monster I am simply, do the records into three
Let my music not really be confused with anybody
'cause there's something like Mister Mohammed Ali in his prime
then I float like a butterfly and sting with the rhyme
and the mic happens ring with the nine
if it's drama let these niggaz tryin' to bring to my mind
I seem to remind that Thomas Crown is spoke
and if you don't love it you can shove a dick down your throat

I'm thinking 'bout what the music game might be
If a nigga didn't make his entry
Niggaz would be making them same ol' beats
Waiting on my arrivlary
Y'all niggaz gonna learn to appreciate me
Instead of always comparin' me
If I hear one more remark about me
I guess I gotta ride on my enemies

Oho oho oho oho
Oho oho oho oho - Don't make me take it there
Oho oho oho oho
Oho oho oho oho - Don't make me take it there
Oho oho oho oho
Oho oho oho oho - Don't make me take it there
Oho oho oho oho - What I will nigga



Look at my eyes nigga, wakin' up early in the morning to the sun rise nigga
Momma yelling rise nigga get up out that bed snoarin'
if you want it go get it f**k havin' to beg for it
Even if you gotta break your neck I'm a releg for it
I said listen to behind a hot roller bread for it
Contemplating know how to work my math and bred story
I don't work my fingers to the bone until they bled storin'
So you can say that I'm a giant a preacher of habit
walking over these watches squaking the reach in the head with
niggaz watching me go free not just a week in my marriage
with the game in the cabbage with my name and my status
but I remain as the baddest motherf**ker 's established
and I 'm still at it grounding that Hennessey straight popping that still mad at
Down at my enemies' face and you're like a kill habit
In front of my enemies' face I shit like a steal rabbit
To show I'm his real static and hold me ideal at it
With my poker face until I at least make a mil at it
At least make a meal love it I'm hungry and still clutch it
All for that mil ticket outta that steal lovin'

[Frank Lee White]
Well I was riding 95 to Virginia the other day
And I thought to myself ain't this where Timbaland used to stay
I heard he moved to New York City but he work in Miami
Only time he back round here is when he visit his granny
Now ain't it funny how the money make a man change
But shit Timmy I don't think he changed a damn things
'xcept the rap game and bust the track game
shit he be gobbeling the grammies like he pac-man
can you get with that man let's gone take it back to the roots
before them backpacking rappers with them hoodies and boots
before Sam Goddie and MTV
before these killers and these hundred dollar billars feeling making MC
before the white rap explosion before the corrosion
when we was just getting started and them doo's wouldn't open
it was people like Timmy who was kickin' them in
shit whatcha cookin' in that kitchen again
some shit like that

[Timbaland]
I'm thinking 'bout what the music game might be
If a nigga didn't make his entry
Niggaz would be making them same ol' beats
Waiting on my arrivlary
Y'all niggaz gonna learn to appreciate me
Instead of always comparin' me
If I hear one more remark about me
I guess I gotta ride on my enemies

Oho oho oho oho
Oho oho oho oho - Don't make me take it there
Oho oho oho oho
Oho oho oho oho - Don't make me take it there
Oho oho oho oho
Oho oho oho oho - Don't make me take it there
Oho oho oho oho - What I will nigga

Shenanigans Lyrics

Timbaland Shenanigans Lyrics
Featuring: Bubba Sparxxx Lyrics

*** Complimentary Shenanigans Ringtone *** Hmmmmm (OW) (OH)
Hmmmmm (OW) (OH)
Hmmmmm (OW) (OH)
Hmmmmm, c'mon (OW)

Make them beats like you used to make (oh)
Now keep movin (oh) now keep movin (oh)
Make them beats like you used to make (woo)
(OOHHH), (c'mon)

[Verse 1 - Timbaland]
Timbaland done lost his mind (mind)
I think I'm about to cross the line (line)
And find me somethin that soft to find (find)
And hit it cause she swing right off the vine (oh)
You better hold me back, I told you that
I got enough heat to take your corners back
And I done took your freak, you want her back
(Well you can have that hooker, hooker, hooker) (c'mon)
I'm a dirty south nigga from the VA streets (oh)
And this is how I represent over this here beat (uh huh)
And y'all don't really wanna f**k with me
I don't care what y'all say, y'all stuck with me (alright now)
Now I got the place panicin (oh)
Timbaland and my dirty shenanigan (oh)
And I might put two in the sky (uh huh)
Like da-da-da-da-da-da-da-da (woo)

[Chorus]
You better hold me back (oh)
You better hold me back (oh)
You better hold me back
Cause I'm full of shenanigans

(Oh) You better hold me back (oh)
You better hold me back (oh)
You better hold me back
Cause I'm full of shenanigans

[Verse 2 - Magoo]
Hold me back, cause rap sell more than crack
Stack my funds, my guns, take my quarters back


Don't resist I will put heat on the track
Matter of fact, we can take it off of wax
You and your team was livin the dream, somebody shake 'em
I can't hold on these dreams they won't wake 'em
F**k face, the street is a car chase
Ew dead set, do what it take, to win the race
I erase my fear and don't reappear
I'ma go to the bar and take your beer, bitch
Nigga, I must make shit clear
F**k around with Oo, I'll bite off your ear
You better do the same, I fight 'til your slain
On right just to bite, I'm tryna sever a vein
And I might put two in the sky
Like (da-da-da-da-da-da-da-da)

[Chorus]

[Verse 3 - Bubba Sparxxx]
Sucker live in fear of the day that I'm focused
Slow as he appear, it's clear I own this
Realm of Southern rap that despise to be competitive
North or northfolk, they jokes is our negligence
Sure they bounce to 112, I make a note of what sells
Down here the sign men don't promote it, look at us fail
F**k it, I'ma just tell the truth as I perceive it
Most of them think our shit is useless, believe it
But me I got a love affair with all things Southern
The dirty is a territory y'all can't govern
We all ain't brothers, but this ain't the bitches neither
And all our rap songs ain't for bouncers drinkin either
Let me hit the reefer, 'fore I forgot to be the
Little old country white boy, get to spittin ether
Don't let this shit deceive ya, that cracker there crafty
I know you only heard me cause you have to stare at me (BITCH)

[Chorus]

[humming continues]

... full of shenanigans

Naughty Eye Lyrics

Timbaland Naughty Eye Lyrics
Featuring: Sebastian Lyrics, Raje Shwari

*** Complimentary Naughty Eye Ringtone ***
[Timbaland]
Yooo..
(What What) Ha, Ha, Ha, Haa, Haa (What What)
Yo Yo, Ya Yo Yo Yoooo (Oh Oh)

Give me that eye, Give me that Eye (Boom da Uh UH)
Ya Yo Yo Yoooo
Give me that eye, Give me that eye (Boom da uh uh)

[First Verse: Timabaland]
People know me, As "The Great Timbaland" (Timbaland)
Been brought in the Slums, But I ranned (But I ranned)
Been boning girls in the Scooby Doo Van (Doo Van)
Chicks been missing since the Summer Of Sam (Of Sam)
Oh, I get'em all from ya hood clubs (Clubs)
Blue Magic, Be floating in my black Cup (Cup)
Mack mold, spit the game and make'em feel good (Feel Good)
Eyes closed like they gone off that backwood (Backwood)
(Ahhhh) Go on girllll, do ya damn thang
Booty poppin, Spell my name with ya tongue rang
Banana Dodge ain't a damn thang
Sitting in the bucket, like a Champagne
This for my ghetto people (People)
Another T & M Collabo (Collabo)
So girlll, why you actin funny for
I see ya eyes talkin while you got ya mouth closed

[Chorus 2X: Timbaland & (Raje)]
Look at that, look at that Naughty Eye (Manu ma Naye)
I see you give that Naughty Eye (Manu ma Neye)
Sucking on ya thumb like a pacifier (Na Raje, Nu Fire)
Must mean you wanna get naughty right
[female moan] eeee yeah

[Second Verse: Magoo]
I want you bitches to calm down
I'm Yao Ming with mines, a player in each town
I know you mad when I come around
I Lex coupe to woman, tops they come down (Oh)
You wanna see what can Magoo do
Be in V.I.P. with my hands up ya Tu-Tu
Boo, get you and Sue, Tisha and Lu Lu
Get a twelve pack of skins, so I can run through ya whole crew
Look ma, I know I was the one that you wanted


You gave me Naughty Eye, Seen you in the club but you fronted
You got mad blunted, Then Mag became the Hunted
It was fourth down, would've made a pass, but I punted
I got more woman than ye, You just Flea
Give'em crackers an cheese, Then give'em some tea
You want some money hoe, Go catch a bee
Cause the pussy in ya pants bitch smell like a sea

[Chorus]

[Bridge 2X: Raje Shwari]
Ohh mede do ooh aje
Tuu mede do ooh aje
Bu mede do ooh aje
(Sebastian) Ha Ha, Ha Ha

[Third Verse: Sebastian + (Timbaland)]
Sebastian be quicker
More proof than my daddy's old E liquor
I like'em Trina size, but if they ever be bigger
I put the sheets to the ground
Act bigger, make the shake stick her, so they can at least figure
Then we hit the slopes
Same amount of snow, that Johnny would it nose
No chain and ropes, I don't chestize my hoes
Just release the low, and put little me's on clothes
But still though I got (love for you)
Single mothers I got (love for you)
F**k niggaz who hatin I got (love for you)
Middle fingers I keep'em (up for you)
Couple bottles with models
That would swallow you whole
If I vanish tommorrow, niggaz will follow the flow
See a hundred like towers, watch me pull in the load
When I come to ya clubs, niggaz will be stare at the doors

[Chorus]

[Bridge]

[Chorus]

[Breakdown: Timbaland]
Go [Echo]